Madhyama Pratham : Kathak Nritya
Total: 200, Min: 70
Theory: 75, Min: 26
Practical: 125, Min: 44
Theory:
i. KatakaVardhana j. Kartari-swastikah k. Shakat l. Shankh
In Teentaal, special capabilities of :
Guruvandana.
Thaat ( 3 differet poses)
2 Aamad (1 sada + 1 Paranjudi)
3 Chakkardar Tore (mim 4 Avartan)
3 Paran (1 must be in Tisra Jati)
3 Chakkardar Paran
2 Kavitt
3 Ginti ki tihayee
In Tatkaar, aadhi, Barabar, Dugun, Tigun, Chaugun, Aathgun… Axpantion of Baant or challan
In JhapTaal, special capabilities of:
2 Thaat 1 Paran-judi-Aamad
1 Salami 3 Sada Tore (mim 3 avartan)
2 Chakkardar Tore 2 Paran
2 Chakkradaar Paran 1 Kavitt
3 Tihayee Tatkaar, in barabar, Digin chuagun end with Tihayee
In Ektaal:
1 Thaat 1 Aamad
2 Tore 1 Chakkardar Tora
1 Paran 1 Chakkradar Paran
1 Tihayee
Tatkaar in Barabar, Dugun, Chaugun end with Tihayee.
In Teentaal:
GatNikas – Jhoomar (Mangteeka), Kalayee,
Mataki holding in 3 different ways.
Gatbhav: Makhan Chori
Abhinay Paksh: BHav nritya on a Bhajan or Bhaktiras song or pad.
Total: 200, Min: 70
Theory: 75, Min: 26
Practical: 125, Min: 44
Theory:
- Knowledge of all the definitions from all past levels.
- Nartan variations: Nritya, Natya and Nritt.
- Only Definition of Lasya and Tandav dance forms.
- As per Abhinay Darpan: Greeva BHed (4 variations)
- As per Abhinay Darpan: Shirobhed (9 variations)
- Definitions of Folk dances and modern dances.
- Biography: Pandit Kalika Prasad, Pandit Bindadin Maharaj, Pandit Harihar Prasad, Pandit Hanuman Prasad.
- Specialities of Lucknow and Jaipur GHaranas.
- As per Abhinay Darpan, definition and usage of:
- Anjali b. Kapot c. Karkat d. Swastik
i. KatakaVardhana j. Kartari-swastikah k. Shakat l. Shankh
- Be able to write all compositions of Teentaal, Jhaptaal, Ektaal , in Bhatkhande notations.
- Be able to narrate/write the story of Gat-bhav.
- Introduction of Sant Kavi SoorDas and Mira Bai.
In Teentaal, special capabilities of :
Guruvandana.
Thaat ( 3 differet poses)
2 Aamad (1 sada + 1 Paranjudi)
3 Chakkardar Tore (mim 4 Avartan)
3 Paran (1 must be in Tisra Jati)
3 Chakkardar Paran
2 Kavitt
3 Ginti ki tihayee
In Tatkaar, aadhi, Barabar, Dugun, Tigun, Chaugun, Aathgun… Axpantion of Baant or challan
In JhapTaal, special capabilities of:
2 Thaat 1 Paran-judi-Aamad
1 Salami 3 Sada Tore (mim 3 avartan)
2 Chakkardar Tore 2 Paran
2 Chakkradaar Paran 1 Kavitt
3 Tihayee Tatkaar, in barabar, Digin chuagun end with Tihayee
In Ektaal:
1 Thaat 1 Aamad
2 Tore 1 Chakkardar Tora
1 Paran 1 Chakkradar Paran
1 Tihayee
Tatkaar in Barabar, Dugun, Chaugun end with Tihayee.
In Teentaal:
GatNikas – Jhoomar (Mangteeka), Kalayee,
Mataki holding in 3 different ways.
Gatbhav: Makhan Chori
Abhinay Paksh: BHav nritya on a Bhajan or Bhaktiras song or pad.